Friday, 1 November 2013

Reading books on beaches



Walking on loose sand in flip-flops builds character as opposed to walking on tightly packed sand still being lashed at by the tide. Have you ever noticed that the last and most successful incursion of the tide leaves slight, wavy outlines drawn in slightly more grainy sand over other finer sand, wavy much in the same way as the curves of the lines a child draws clouds in. And that the sea when it goes back leaves a fine meshwork of lines in the sand forming grids shaped like spindles or crescents or what have you, occasionally pockmarked with the tiny burrow holes of the very small sand crabs which scuttle around. As you walk around sometimes the tide will wash across your ankles and calves and when you turn back you see that the footprints you had left in the sand have been washed away which is absolutely fine with me, not being much of a footprint leaver/follower anyway.

The first time I take the 30 minutes’ walk on this beach looking for a quiet place where I can just sit down and read it is eleven in the afternoon and the sun beats down heating the sand under my feet and the air around me and boils all the snark filled up inside of me so that I feel a strange, selfish, and I am sure far from unique sense of antipathy towards these people frolicking around, cooling themselves in the water or tanning themselves on the beach. Those young men throwing balls at each other and laughing their joy as the sand flies in sprays where their feet hit the ground, the mother with their children standing at the very edge of the surf and letting out Kilgorish whoops of joy as the sea laps at their ankles or sometimes going as far up as their calves, the middle aged, the other children who are running everywhere, occasionally bursting into sounds like firecrackers set loose randomly,  balding men who lie on deck chairs amid their rolling layers of fat, like beached whales, their pale bellies generously slopped with suntan oils/creams with spare bottles lying around just in case more is needed, their mouths open, gaping at the world as if they are inhaling the sound of the surf through their mouths- in that instant I hate them all. I hate them for enjoying themselves so much, I blame them for the fact that their vacations seem to be going just according to plan while I want just one simple thing from my vacation and that is to read a book in a quiet beach side bar with a bottle of beer at my elbow and for having walked for thirty minutes in this heat without having found one quiet place to do so. At that moment I blame them for everything that is wrong with the world. And a minute after that I realize how mean and petty and cheap and selfish I am being and something that is very much like shame seems to wash down on me. A few minutes after that I find my quiet place.

Just for the record, the novel I am reading is Neal Stephenson's Snow Crash and as I dive into it, Stephenson’s gleeful snark at pop culture while ironically writing a novel about major factions of that pop culture seems to perfectly complement my snark from a few minutes ago- right from the moment where he introduces his main protagonist as The Deliverator to his descriptions of the pizza delivery industry as the most intensely competitive one in the world to the moment where we come to know that the protagonist is called just that: Hiro Protagonist.

But I started off writing this not intending to make this an essay on what I feel about beach vacations or Snow Crash. I like reading on beaches and do so whenever I get the chance to just plop myself on the beach. My favourite adventure sport while on vacations is plonk myself right there on a chair or just a towel, listen to the sea and immerse myself into whatever book I am reading at that moment. The sounds of the sea soothe me and mostly I don't mind even if there are people around, though it is better if they are not.

I have always had an intense fascination for the sea, having always found some sort of awful majesty even in the dirty waters of Juhu- I have written awful poems about it, essays that do not express ten percent of what I feel when there, I have read stories and novels which have attempted to tell me what their authors feel about being there, but in the end listening to the sea is something which cannot be done with someone else's ear- that is like trying to have a spontaneous conversation with the services of a translator. Or like listening to someone else read a book. The best way to know what it is like, you have to go there and listen to it just like to really read a book, you have to really read it. The sea tells you things, I imagine it tells all of us of different things. The only way to know what it tells you is to go to it, close your eyes for a moment and listen.

Somehow, I have always thought it is the same with books. Someone (I think DFW) once said that every writer begins with writing in someone else's voice, then slowly she finds her feet and her voice becomes her own. I have always felt much the same about reading. When we first begin reading, we read with someone else's eyes: either taking the author literally as she has written it, or reading in the words of the author the validation or condemnation of the critic whose review we read before reading the book and then, finally, when we are really reading, we read the book in its own words, with our own eyes and then the books begin to tell us things. They begin to sing to us, their voices telling us stories which might be found in the pages of the books but which are as much inside our head. Much like the sea. And that is the secret of all things in this world, isn't it? The secret of all things holy and what makes reading or going to the sea or writing or living a holy experience? That going to a beach or reading a book or living a life is not about going to the beach or the story of the book or the legacy of our life at all. It is about the stories that form- what the sea tells us, what stories that book leaves in our head, what we take in as we live our lives.

P.S.: I might have forgotten to mention that the female protagonist of Snow Crash is a girl called Y.T. which stands for Yours' Truly.